1-What are some of the reasons for a surge in digital autobiograpical production from “home pages” to “wearcams”?
Coming Soon.

2-What is the role of autobotography vis-a-vis technology’s “narcotic effect”?
Coming Soon.

3-Jennicam gives us an example of the pleasures of self-disclosure, Mann’s WearCams give an example of the dangers of surveillance. Are there dangers in Jennifer Ringley’s work (or similar projects)? And what might those dangers be? Conversely, are there any pleasures in Stephen Mann’s WearCams?
Coming Soon.

4-Explain how 2 of the blogging projects reshapes our sense of self, life, or writing.
Coming Soon.

5-Pick one of the “moving self-portraits” and explain how the project evokes the mystery of our contemporary lives. What kinds of issues does the portrait raise?
Coming Soon.

6-Katherine Hayles speaks of the “post-human” in describing the cyborgian entities we have become. How do the artists of this chapter create autobotographies of this “post-human” cyborg? Consider, for example Life Sharing and [phage].
Coming Soon.

7-How do digital artists examine the commodification of the self? How has the self become another consumer good, or how does a human being get reduced to a “consumer”? Which digital projects raise theese questions and how do they do it?
Coming Soon.

8-Describe the autobotography of “invented selves” or avatars. How do Female Extension and Darko Maver raise questions about the nature of digital selves. Why do they use invented selves and what are the reasons for doing so and the effects of their choices?
Coming Soon.